by Harry Prenger, April 2009 (excerpt below)
Kentucky John Tweddle could hardly hold back his tears when he entered his own room at the Bonnefantenmuseum. After more than forty years he suddenly found himself face to face with his own paintings again. Works that have been in the possession of collectors and galleries since the 1960s and that Tweddle never looked back at. The exuberantly colored canvases, grand in size and scope, are undoubtedly among the highlights of the Exile On Main St. exhibition . . .
